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Calendar Volume I

by Granfalloon

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  • Compact Disc (CD) + Digital Album

    Granfalloon 12 track album 'Calendar - Volume I' on Compact Disc
    Artwork by Jordie Roomer

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1.
Archive 04:13
Three words in my calendar tells me I went swimming with you that night A taxi from Asda in Fulwood in the ice Warm breath and cigarette smoke in the moonlight Sat here at my kitchen table This stack of receipts to archive Each moment relived through a scrap of paper The Year of the Snake will be finally over tonight A chit for two pairs of four cans of Carlsberg In The Spar they were cheaper than eight pack on offer The mood I was in cos I couldn't stay over The mood I was in because of your brother Sat here at my kitchen table This stack of receipts to archive Each moment relived through a scrap of paper This annus horriblis will be finally over tonight Amber leaf blonde with menthol filters A pint of milk from that Plungington Spar Well I still wander round Spars to feel close to you Or the Co-op if the Spar is too far away Sat here at my kitchen table 69 Love Songs are playing Every moment relived through each faded date The Year of the Snake will be finally over This annus horriblis will be finally over The year that I had you is going forever tonight
2.
Shape changer, milk stealer A thief with a jug disguised as a goose Half skipping, milk dripping Down from the animal's bill That farmer cooked your goose That goose it kicked the bucket That bucket was no goose The stories we tell to keep you girls in place From Lilith of Eden to Joan of Arc We've been burning and burying you from the start You have to dig your way out of your own grave You have to dig your way out of your own grave You hobble down the cobbled Streets - the children they catcall at you You're a hag, you're a crone, you're a witch You're a bit of a rich source of blame to be claimed You lost your cottage on a bet From Wesham raced to Catforth That Black Dog bit your Rabbit's unlucky foot? The race has always been rigged From Lilith of Eden to Joan of Arc We've been burning and burying you from the start You have to dig your way out of your own grave You have to dig your way out of your own grave From Lilith of Eden to Joan of Arc We've been burning and burying you from the start You have to dig your way out of your own grave From Lilith of Eden to Joan of Arc We've been burning and burying you from the start You have to dig your way out of your own grave You have to dig your way out of your own grave You have to dig your way out of your own grave
3.
Would you say that you're experienced? Have you seen it all before? But Even so Would you say that you're still curious? Cos If you’ve never had your heart broken Do I really want to know? O youth of mine run off with time Must I weep as you go? O you and I could spend our lives Can you recall all of the instances? The cold air and A shovel in your hand Is this experience? Well Your history trails behind you like a comet that's coming in to land O youth of mine run off with time Must I weep as you go? O you and I could spend our lives O youth of mine run off with time Must I weep as you go? O you and I could spend our lives You and I could spend our lives O youth of mine run off with time Must I weep as you go? O you and I could spend our lives O youth of mine run off with time Must I weep as you go? O you and I could spend our lives You and I could spend our lives
4.
Shall I compare thee to the fundamental theorem of algrebaic K-theory? Like Pythagorus said something's deeply irrational About the square root of 2 where the 2 are me and U And words diminish these important things Let me show you the numbers Tell you in numbers Lay down the numbers Paint it by numbers 4 U If my heart doubled in size If the body round my heart doubled in size If the world round my body around my heart doubled in size You wouldn't notice at all - how conventional And words diminish these important things Let me show you the numbers Tell you in numbers Lay down the numbers Paint it by numbers 4 U It may be a fiction But these mathematical theories like our love Like everyone's love Are a useful fiction indeed And words diminish these important things Let me show you the numbers Tell you in numbers Lay down the numbers Paint it by numbers 4 U All things considered When I look at the figures It's an elegant solution A foregone conclusion That me and you Are equal to you and me - QED
5.
Dmaj7 D6 Dmaj7 D6 Caug6/A Am(maj11) Caug6/A Am(maj11) One day I wrote a story Upon a scrap of paper And I left it in my kitchen To come back to and finish later The Anecdote; while largely based in truth was exaggerated The lives involved had been enlarged and their neuroses elevated Well that Narrative it rose right up off of the paper, right off of the table Gone as quick as Clark Gable And made right for my front door As fast as it were able It whistled through the letterbox And rampaged down the street Through every bookshop and every library in search of words to eat Gmaj7 Bm7 E7 - It stopped to pet a Shaggy Dog And the Dog grew 10 feet tall This tall Tale wagged into office windows, shattering them all Dmaj7 D6 Dmaj7 D6 Caug6/A Am(maj11) Caug6/A Am(maj11) The Chronicle stalked the town It drank and fought through every bar My Fable went and shot a man And stole off in his car The Legend climbed a telegraph pole It slithered through the TV set It slipped inside the phone lines And escaped into the Internet Gmaj7 Bm7 E7 And then the trouble really doubled And the woes, they really started My Fiction terrorised my enemies Left my friends all broken hearted Dmaj7 D6 Dmaj7 D6 Caug6/A Am(maj11) Caug6/A Am(maj11) This Yarn had caused more harm Than was ever my intention I'd only scribbled words on paper I hadn't wanted this destruction (spoken) I mean whoever got hurt by a Story? What Song brought a government to its knees? What Poem dismantled a tank Or started World War 3? Gmaj7 Bm7 E7 And As I tracked the trail of carnage Caused by my Fantasy It leapt right out of my computer screen And began to attack me Dmaj7 D6 Dmaj7 D6 Caug6/A Am(maj11) Caug6/A Am(maj11) My Story tore me limb from limb All the while screaming with glee: "Words are more powerful than you ever could conceive So please write responsibly!" Gmaj7 Bm7 Bb And as I wrote that final line From the kitchen I was in I thought I'd save us all the bother Screwed up that Story and threw it in the bin (end on D6 add e?)
6.
Put the people you love over there Over here are the ones that you hate In the space in between This is the space where I will wait Can you fly? Can you swim? Can I let you in? Can you climb? Can you fall? Can you understand it at all? For those that aren’t precious With your time Can you help draw the line? In Eulerian Circles is where we reside Draw a circle around all the thing you would want And another around what you would leave In those narrowing strips, in a dripping eclipse In this ellipse is where you will be Can you build or destroy All your favourite toys? Can they turn into weapons Whilst in your employ? For those that aren’t precious With your time They could help you define In Eulerian Circles is where we reside In Eulerian Circles is where we reside For those that aren’t precious With your time Can you help draw the line? In Eulerian Circles is where we reside In Eulerian Circles is where we reside In Eulerian Circles is where we reside
7.
D Bm Em A Buzzing around Dancing for hours and hours Life is sweeter than the honey that I'm making for you Life is sweeter than the honey that you're taking from me Trapped in a box You put me into a fridge I'm getting sleepy, ah my eyes are getting heavy So I think I'll rest my fuzzy little body on the floor of the G A Tupperware On the floor of the tupperware Em7 A Em7 A She keeps bees in a deep freeze It makes them sleep so she keeps bees On a string When I woke up From an uneasy dream I found that I'd been tethered to a heavy length of yarn I tried to sever but my clever captor wrapped it round her arm O - Behind me now Which she held behind me now She keeps me in a deep freeze It makes me sleep so she keeps me On a string Gmaj7 F#m7 Em7 D/ then A on 2nd time You're only pulling my leg Or am I pulling my leg In an attempt to bee free? I know you're fascinated by me But won't you let me be free? Why won't you let me bee free? O must… You keep me in a deep freeze To make me sleep so you keep me On a string She keeps me in a deep freeze It makes me sleep so she keeps me On a string
8.
O Joyce 02:55
In 1944 Joyce's mother bought a pet Macaw And named him Bobby Corwen The bird sat in the parlour Whilst Joyce and Mother played a game of Gin or rummy til Joyce's Mum would say: O Joyce - Joy joy joyce Make us a cuppa tea? In 1958 Joyce had a Daughter of her own They would stay up late Sewing sequins on her shoes For some dancing show Bobby squawking as they sew Joyce's daughter asks her mum to go: O Joyce - Joy joy joyce Make us a cuppa tea? In 1985 Joyce's daughter had a daughter of her own And that Macaw was still alive 20 years go by Joyce's mother dies Life fully lived as fully a life can be lived O Joyce - Joy joy joyce Make us a cuppa tea? O 60-something years have flown Since Joyce's mother brought him home Bobby Corwen in the parlour Squawking down the years Joyce and daughter's tears At Joyce's daughter's daughter dancing To the bird's refrain O Joyce - Joy joy joyce
9.
There there On St Anne's Square Stands Mr Simm's Olde Sweet Shoppe (rights reserved) Purveyor of finest confectionery Everton mints and jelly beans Liquorice whirls and clotted creams Mr Simm's Olde Sweet Shoppe (rights reserved) Blackjacks, Fruit Salads and Aniseed Twists Gargantuan gobstoppers - big as your fist Jazzles and Fizzers and Raspberry Ruffles And Iron Brew fudge and Italian Truffles Is life some romantic tale Where mystery and beauty And the underdogs prevail? Where we'll be happy together Happy together Happy forever At Mr Simm's Olde Sweet Shoppe (rights reserved) (breathe) I imagine a man with Majeika hair Mrs Simm and the twins - it's a family affair She tends the penny sweets - sweet Cherry Lips He makes his famous Black Death Sour Pips Is life some romantic tale Where mystery and beauty And the underdogs prevail? And they'll be happy together Happy together Happy forever Mr Simm's Olde Sweet Shoppe (rights reserved) Rhubarb and custards and Coldsfoot rock Uncles Joe's Mintballs, cough sweets and pear drops It all paints a picture, a quaint little scene Of Olde but colourful and fantastic dreams But life isn't some romantic tale Where mystery and beauty And the underdogs prevail Where we'll be happy together Happy together Happy forever Mr Simm's Olde Sweet Shoppe (rights reserved) Mr Simm's was established in 2004 There are 90 locations from Ashford to York Is it a penny sweet when it costs 50p? The 'E's in the name were only added last week Retro is fashionable and vintage is 'in' Repackaged and sold to us as the whimsy Of Mr Simm's Olde Sweet Shoppe (rights reserved) It's between a mall and HSBC And a Starbucks has opened up over the street Cos life isn't some romantic tale Where mystery and beauty And the underdogs prevail Where we'll be happy together Happy together Happy forever
10.
Catherine moved here at the start of last year The neighbourhood welcomed her in To number 91 where she has so much fun The minute that I disappeared All the meetings they'll have About this and that Make you feel so exposed In a small town like this All you do is exist This is no place to heal And Maggie moved onto this street last July But it feels like she's lived here for years At number 54 like a mule on the fifth floor But she promises she's leaving soon All the meetings they'll have About this and that They like to talk about it In a goldfish bowl Where you're losing control This is no place to heal It's time to move on - You can't live here any more You have to move on - You can't live here any more You have to move on It’s time to move on For the love of god won’t you just please move along Ivy moved onto this street yesterday After 7 months away Into 104a, the house where I long to stay What will the neighbours think? And all the meetings they had About this and that Are all just delusions of mine how I wish we could meet On a different street This is no place to heal
11.
Goodbye Sailor, your heart's not in it here any more This party died last August as the leaves began to fall And then the Rich Man he moved in, made his move upon the town He built this playground pound by pound But we're still clinging on to the party Though it ended a year today We’re still clinging on to each other As the sun comes up They've turned this club into a takeaway Ahab's getting married and Peter Pan is dead Lothario retired to an empty bed Methusela's in the ground and Saint Pete has locked the doors Even Old Nick has doused the fire and cast the ashes on the floor But we're still clinging on to the party Though it ended a year today We’re still clinging on to each other As the sun comes up They've turned this club into a takeaway Cupid's hitting puberty, his voice it finally broke The Heritage expense accounts went up in smoke And if you've ever had a dream then you've seen that dream die Caught by my Fingertips Caught them in Vice like grips They caught the sunshine from the sky And that’s why I cry That we're still holding on to the party Though it ended a year today We're holding on to our breath We're holding on for grim death They’ve turned the club into a takeaway They’ve turned the pub into a takeaway They've turned our home into a takeaway
12.
Rushmore 03:48
You can't get back those years you've lost Don't mope let hope take root bear fruit Go strong as long as you can Don't waste your life on a memory The wind will change both kind and strange It's never as dark as you think Take a breath - Let it fill your lungs Take a beat - Let it fill your heart Take a seat, Take a drink and you'll think You didn't get hurt that bad Don't waste your life on a memory The wind will change both kind and strange It's never as dark as you think Take a breath - Let it fill your lungs Take a beat - Let it fill your heart Take a seat, Take a drink and you'll think And you’ll think and you’ll drink And You didn't get hurt that bad

about

The roots of this album can be traced back to 2014, when Lomax was recording a debut album with his previous band. It was the 13th time he had recorded that album. Getting it right was proving difficult…

A different approach was needed to keep things fresh. Lomax would write new songs, one every week, without perfectionism weighing down the process. By the end of 2014, he had amassed 52 new songs, each one reflecting the week he’d experienced.

After founding Granfalloon in 2016 and releasing two well received albums, Lomax went into the studio in February of 2020 to begin the task of committing definitive versions of the songs from his “52 Project”.

Obviously the pandemic put the project on hold and ironically, now everyone had a double album of songs squirrelled away. But Lomax never wrote because he had too much time on his hands. Writing has always been a matter of necessity for him.

He returned to the studio again in 2021 with his core band from the Positive Songs Project to whittle down the original 52 to 12 songs… These 12 songs comprise this new album, Calendar volume 1.

credits

released September 30, 2022

Richard Lomax - vocals/guitar/Omnichord/Wurlitzer
Daz Woodcock - bass/vocals/keys/organ
Andy Lyth - drums/percussion/banjo
Cleg - guitar/mandolin/vocals
Dom Major - guitar
Garreth Knott - trumpet on 4/7/8
Sarah-Jane Pearson - vocals on 1/2/11/12
Caffs Burgis - vocals/synth on 3
Eleanor Boney - cello on 1/2/10/12
George Burrage - violin on 1/2/10/12
Robin Melinda Koob - violin on 2/3/11
Tim Davies - drums on 1/10
Jack Wakeman - bass on 1/10
Molly Becker - violin on 5
Jason Alder - contrabass clarinet on 1

Produced by Richard Lomax
Additional production on 1/10 by Paul Morrice
Additional production on 5/8/11 by Dom Major

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Granfalloon Manchester, UK

Manchester based composer and recordist. Lo-fi. Folk. Psych. Songs. Unusually long neck for a man my height.

Contact: info@granfalloonmusic.com

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